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Leandro Erlich's mind-blowing Beijing art show ends

chinadaily.com.cn | Updated: 2019-09-16 14:23
A guest to the closing ceremony for Argentine artist Leandro Erlich's The Confines of the Great Void exhibition poses for photos in his Swimming Pool at the CAFA Art Museum in Beijing, Aug 23, 2019. [Photo by Yang Xiaoyu/chinadaily.com.cn]
百度 业绩方面,机构评级买入个股中,有117股已经公布了中期业绩,净利润同比增幅最大的是东吴证券,公司中期业绩实现净利润亿元,同比增长%。 百度   这份信心,来源于使命担当。 百度 目前,网信证券风险处置工作尚在进行中。 百度 西营镇 百度 屯脚镇 百度 五莲路

A closing ceremony for Argentine conceptual artist Leandro Erlich's solo exhibition The Confines of the Great Void took place Friday at Beijing's CAFA Art Museum, wrapping up one of the capital's most intriguing and successful shows of this summer.

The exhibition, a retrospective that teamed up 20 of the artist's internationally sought-after works such as Building and Swimming Pool, has delighted and wowed nearly 200,000 visitors throughout its 45-day run, making it the most high-profile exhibition held thus far in China for the Argentine artist.

Guests to the closing ceremony for Argentine artist Leandro Erlich's The Confines of the Great Void exhibition interact with his Hair Salon at the CAFA Art Museum in Beijing, Aug 23, 2019. [Photo provided to chinadaily.com.cn]

Born to an architect's family in 1973, the Buenos Aires-based artist is also known to the world as an architect of the uncertain for creating optical illusions that tantalize his curious viewers to explore while never failing to bend their minds.

The architectural environments Erlich created are merely inspired by everyday objects and places like elevators and hair salons, but they are ingeniously laced with mystery and magical realism that visitors can recall from reading Argentine writer Jorge Luis Borges' works.

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